The Shadow Line — a short novel based at sea — was first published in 1916. It depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's "factotum" Ransome used to emphasise strengths and weaknesses of the protagonist.

"The Shadow Line - a short novel based at sea - was first published in 1916. It depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's "factotum" Ransome used to emphasise strengths and weaknesses of the protagonist.

"The Shadow Line - a short novel based at sea - was first published in 1916. It depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's "factotum" Ransome used to emphasise strengths and weaknesses of the protagonist.

The Shadow Line — a short novel based at sea — was first published in 1916. It depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. Conrad also extensively uses irony by comparison in the work, with characters such as Captain Giles and the ship's "factotum" Ransome used to emphasise strengths and weaknesses of the protagonist.

The Shadow-Line is based upon events and experiences from twenty-seven years earlier to which Conrad returned obsessively in his fiction. A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain. The novella is notable for its dual narrative structure.

Joseph Conrad was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he was a master stylist, both lush and precise, who brought a non-English sensibility into English literature. The Shadow Line tells a story of young sea captain, whose first command brings with it a succession of crises: sea is becalmed, the crew laid low by fewer, and his first mate is convinced that the ship is haunted by the spirit of a previous captain.

Monsters, monsters, everywhere! In this third book in the series, Alexander goes up against shadow smashers. These monsters can jump from shadow to shadow and cause problems such as giving irregular suntans, ruining photos, and tying someone's shoes together. They're wreaking havoc all over town! Meanwhile, a member of Alexander's Super Secret Monster Patrol (SSMP) may turn out to be a monster! Fun black-and-white illustrations bring the action to life throughout. This series is part of Scholastic's early chapter book line, Branches. Aimed at 5- to 7-year-olds, this line of books is for children who are just starting to read independently. With easy-to-read text, high-interest content, fast-paced plots, and illustrations on every page, these books will boost reading confidence and stamina. Branches books help readers grow!

The Shadow-Line is based upon events and experiences from twenty-seven years earlier to which Conrad returned obsessively in his fiction. A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain. The novella is notable for its dual narrative structure.

Joseph Conrad was a Polish-British writer regarded as one of the greatest novelists to write in the English language. Though he did not speak English fluently until his twenties, he was a master stylist, both lush and precise, who brought a non-English sensibility into English literature. The Shadow Line tells a story of young sea captain, whose first command brings with it a succession of crises: sea is becalmed, the crew laid low by fewer, and his first mate is convinced that the ship is haunted by the spirit of a previous captain.

A young and inexperienced sea captain finds that his first command leaves him with a ship stranded in tropical seas and a crew smitten with fever. As he wrestles with his conscience and with the increasing sense of isolation that he experiences, the captain crosses the ‘shadow-line’ between youth and adulthood. In many ways an autobiographical narrative, Conrad's novella was written at the start of the Great War when his son Borys was at the Western Front, and can be seen as an attempt to open humanity’s eyes to the qualities needed to face evil and destruction.

Серия книг «Зарубежная классика — читай в оригинале» — это бессмертные произведения великих мастеров пера, написанные ими на их родном языке и наречии. Книги из этой серии помогут читателю углубленно изучать иностранные языки, обогатят его внутренний мир и по-новому откроют произведения известных классиков

Серия книг «Зарубежная классика — читай в оригинале» — это бессмертные произведения великих мастеров пера, написанные ими на их родном языке и наречии. Книги из этой серии помогут читателю углубленно изучать иностранные языки, обогатят его внутренний мир и по-новому откроют произведения известных классиков

As these three specially commissioned stories amply demonstrate, Conrad is our greatest writer of the sea. His characters are tested by dramatic events 'that show in the light of day the inner worth of a man, the edge of his temper, and the fibre of his stuff; that reveal the quality of his resistance and the secret stuff of his pretences, not only to others but also to himself'. In Typhoon, Conrad's funniest story, Captain MacWhirr blunders into a hurricane that reveals the sea's treachery, violence and terror. Falk is desperate to get married, but first he must tell of his terrible experiences as sole survivor of a stricken ship that once drifted into the ice-caps of Antarctica. The Shadow-Line is a poignant and beautiful story. Written during the First World War and based on Conrad's fond evocation of his own first command, it expresses his solidarity with all who were obliged to cross in early youth the shadow-line of their war-torn generation. Includes a glossary of nautical terms.

The Shadow-Line is based upon events and experiences from twenty-seven years earlier to which Conrad returned obsessively in his fiction. A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain.The novella is notable for its dual narrative structure.

The Shadow-Line is based upon events and experiences from twenty-seven years earlier to which Conrad returned obsessively in his fiction. A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain.The novella is notable for its dual narrative structure.

Blunt, brutal, but infused with a deep sympathy, Knockemstiff is a pitch-dark and hilarious collection of stories set in a tiny town in Southern Ohio. The youth of Knockemstiff grow up in the malignant shadow of their parents; raised on abuse, alcohol, drugs and cigarettes, they are stunted in every possible way: emotionally, mentally, sometimes physically. They talk a lot about escape but they never so much as cross the county line.