'I am afraid I have something to tell you. It is that we are all about to be destroyed.' 1914. The old standards are going. There is bitterness in politics, talk of civil war in Ireland. But all this means little to Cynthia Weston, attractive wife of cabinet member Aylmer Weston, and her nephew by marriage Philip. They are caught up in the charmed, perilous toils of a mutual passion that will destroy all they hold most dear – while the shadow of war lengthens and darkens, ready to swallow their world whole. A captivating portrait of a lost world, Statues in a Garden is a rediscovered masterpiece by one of the most important and neglected British female writers of the twentieth and twenty-first centuries.

A whimsical and beautiful book celebrating these hidden gems of the National Trust - from specially made secret gardens to overlooked corners of famous gardens and re-discovered lost gardens. Stunning photographs of the Trust's idiosyncratic gardens are accompanied by a light text meditating on the magic of the secret garden, and bringing in fascinating historical and botanical details. The book will include secret mazes, hidden corners, walled gardens, lost gardens, gardens that are only open one day a year, follies, orchards, dens, memorials, strange statues, stumperies, huts, ice houses, wendy houses, fairy gates and pixie houses. The gardens featured include the palm-filled Overbeck's in Devon, Peckover House in Cambridgeshire, which bursts with exotic specimens found on Victorian plant-hunting expeditions, and Monk's House in East Sussex, where the garden proved a refuge for Virginia Woolf.

Judith Lane, not-quite-beautiful but charmingly serious, is the young widow of the war hero Anthony Lane, and an editor at the successful if rather rakish publisher Hanescu Lane & Co. Ltd. But one evening the harmonious routine of Judith's life is interrupted when she receives her first visit from Baldwin Reeves, who reveals that Anthony's wartime adventures were not quite as glorious as the newspaper reports would have her believe. To protect Anthony's family from the scandal, Judith reluctantly acquiesces to the repellent but attractive Reeves's demands – but both blackmailer and blackmailee soon find themselves out of their depth in ways they could not have anticipated. Darkly funny, strangely sexy, and glittering with Isabel Colegate's scalpel-sharp wit, The Blackmailer is a savage and sinister comic classic.

Orlando King is a trilogy about a beautiful young man, raised in a remote and eccentric wilderness, arriving in 1930s London and setting the world of politics ablaze. In a time of bread riots and hunger marches, with the spectre of Fascism casting an ever lengthening shadow over Europe, Orlando glidingly cuts a swathe through the thickets of business, the corridors of politics, the pleasure gardens of the Cliveden set, acquiring wealth, adulation, a beautiful wife, and a seat in Parliament. But the advent of war brings with it Orlando's downfall; and his daughter Agatha, cloistered with him in his banishment, is left to pick through the rubble of his smoking, ruined legacy. Elegant and muscular, powerful and razor-sharp, Orlando King is a bildungsroman, Greek tragedy and political saga all in one; a glittering exorcism of the inter-war generation's demons to rival the work of Evelyn Waugh and Muriel Spark.

In the past few years, there has been a rush to topple statues. Across the United States of America, the United Kingdom, Belgium and elsewhere, Black Lives Matter protesters defaced and in some cases hauled down statues of slaveholders, Confederate icons, and imperialists. In Bristol, Edward Colston was knocked off his plinth and hurled into the harbour. Robert E. Lee was covered in graffiti in Richmond, Virginia. Christopher Columbus was toppled in Minnesota, burned and thrown into a lake in Virginia, and beheaded in Massachusetts. King Leopold II of the Belgians was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill was daubed with the word 'racist' in London. The backlash from conservatives has been fast and intense. Statues are one of the most visible forms of historical storytelling, maybe the most visible. The stories we tell are vital to how we as societies understand our past and make our future. The ultimate question is: 'who controls history?' Fallen Idols tells the story of twelve toppled statues around the world. It will look at why they were put up in the first place; the stories they were intended to tell; the symbolism they came to embody; and the manner and consequences of their removal. History is not erased when statues are pulled down. If anything, it is made.

It is 1913 - a breath away from the Great War - and Edwardian England is about to vanish into history. An assorted group of men and women gather at Sir Randolph Nettleby's estate for a shooting party. Opulent, adulterous, moving assuredly through the rituals of eating and slaughter, they are an era's dazzlingly obtuse and brilliantly decorative finale. A quiet, elegant meditation on class frustration and the transience of human concern, The Shooting Party is also the inspiration behind one of the great landmarks of popular culture - Downtown Abbey.

СодержаниеAct I A1 The Little House With A Garden In NagasakiB1 (The End)Act II, Scene I C1 The Little House With A Garden In NagasakiD1 (The End)Act II, Scene II E1 The Little House With A Garden In NagasakiF1 (The End)

Isabel Dalhousie is a new mother and a connoisseur of philosophy; she d rather not be a sleuth. But when a chance conversation at a dinner party draws Isabel into the case of a doctor whose career has been ruined, she cannot ignore what may be a miscarriage of justice. Because for Isabel ethics are not theoretical at all, but an everyday matter of life and death. As she attempts to unravel the truth behind Dr Thompson s disgrace, Isabel s patient intelligence is also required to deal with challenges in her own life. There is her baby son Charlie; Cat s deli to look after, not to mention her vulnerable assistant Eddie; and a mysterious and unlikeable composer who has latched on to Jamie, making Isabel fear for the future of her new family. Isabel treads a difficult path between trust and gullibility, philanthropy and interference, while keeping in her sights the small but certain comforts of family, philosophy and a fine Saturday morning.

When Isabel Dalhousie and her husband Jamie book a table at an expensive Edinburgh restaurant, she finds herself battling with her conscience. Lately, there has been a lull in work for the Review of Applied Ethics, and the care of their young sons, Charlie and Magnus, is often undertaken by their housekeeper Grace. Is Isabel deserving of such a luxurious dinner? But Isabel holds herself to impossible moral standards. Not so, the parents of one of Jamie's students, who have no qualms about ensuring their son's place in the school orchestra, despite his mediocre talent. In the restaurant, Isabel witnesses a row between local businessmen; another reminder that thoughtless ambition is too often second nature to others. Compelled to intervene in the aftermath, Isabel's sense of integrity is observed by a fellow diner, Iain Melrose, who seeks out her help. He must decide which of his remaining relatives should one day inherit his estate. Isabel, he believes, would make a just executor of his will. While she deliberates, another troubling situation arises with her niece, Cat, whose relationship with the unlikeable Leo is causing her to behave recklessly, putting Isabel in a very difficult position. Faced with such weighty decisions, can Isabel balance compassion and integrity to make the right choice for all, and to protect those she holds dear to her heart?

From the author of the Man Booker prize-winners Wolf Hall and Bring Up the Bodies comes a story of suburban mayhem and merciless, hilarious revenge. Barricaded inside their house filled with festering rubbish, unhealthy smells and their secrets, the Axon family baffle Isabel Field, the latest in a long line of social workers. Isabel has other problems too: a randy, untrustworthy father and a slackly romantic lover, Colin Sidney, history teacher to unresponsive yobs and father of a parcel of horrible children. With all this to worry about, how can Isabel begin to understand what is going on in the Axon household?

The wonderful new Isabel Dalhousie. As the editor of an applied ethics journal, Isabel Dalhousie is usually tucked away in her editorial office, in the comfortable Edinburgh house she shares with her fiance and their young son, and does not often meet many fellow philosophers. But while helping in the delicatessen owned by her niece, Cat, she meets Jane Cooper, an Australian philosopher who is spending a sabbatical in Scotland. Isabel learns that Jane needs to find out something about her past. Jane was born in Scotland but taken to Australia as a baby by her adoptive parents. She knows who her mother is, but her father's identity is still a mystery. Can Isabel help Jane unconver this important and potentially unsettling information? And in Isabel's own life, there is the ever-present question of marriage, and also the perennially difficult issue of her relationship with Cat, whose choice of men is as dubious as ever.

Enhance your living space with this exquisite Set of 3 Gold Abstract Art Sculptures: Decorative Thinker Statues. These decorative statues exude elegance and sophistication, adding a touch of artistic flair to any room. Crafted with meticulous attention to detail, each sculpture features a unique abstract design that will captivate your guests and spark conversation. The sleek gold finish adds a luxurious touch to these thinker statues, making them a stunning focal point in your home decor. Place them on a mantel, shelf, or side table to elevate the ambiance of your living room, bedroom, or office. Whether you're a lover of modern art or simply looking to add a chic accent to your space, these sculptures are sure to impress. Made from high-quality materials, these art pieces are durable and long-lasting, ensuring years of enjoyment. Treat yourself to this set of 3 Gold Abstract Art Sculptures and transform your home into a gallery of contemporary style. Elevate your decor with these striking pieces that will inspire creativity and admiration in any setting.

Isabel Dalhousie thinks often of friends, sometimes of lovers, and on occasion of chocolate. As an Edinburgh philosopher she is certain of where she stands. She can review a book called In Praise of Sin with panache and conviction, but real life is... well, perhaps a bit more challenging - particularly when it comes to her feelings for Jamie, a younger man who should have married her niece, Cat. Jamie's handsomeness leaves Isabel feeling distinctly uneasy, and ethically disturbed. 'I am a philosopher', she thinks, 'but I am also a woman'. And more disturbance is in store. When Cat takes a break in Italy, Isabel agrees to run her delicatessen. One of the customers, she discovers, has recently had a heart transplant and is now being plagued by memories that cannot be rationally explained and which he feels do not belong to him. Isabel is intrigued. So intrigued that she finds herself rushing headlong into a dangerous investigation. But she still has time to think about the things that possess her - things like love and friendship, and, of course, temptation. The last of these comes in many forms - chocolate, for example, or seductive Italians...

In the middle of a city, a little girl tends to the last garden. But the city is breaking and everyone is leaving. Will the garden ever bloom again? The perfect story to open up conversations about war and migration with little ones, anywhere in the world. In a war-torn city, a little girl tends to the last garden. But everyone is leaving and soon the girl has to leave too. The garden is all alone now but soon the seeds scatter throughout and the roots take hold. Inspired by true events in Syria and war gardens around the world and throughout history, The Last Garden is a thoughtful, tender story of hope, touching on issues of conflict and migration, from a talented debut picture book pairing.

'The two central activities in my life - alongside writing - have been reading and gardening.' Penelope Lively has always been a keen gardener. This book is partly a memoir of her own life in gardens: the large garden at home in Cairo where she spent most of her childhood, her grandmother's garden in a sloping Somerset field, then two successive Oxfordshire gardens of her own, and the smaller urban garden in the North London home she lives in today. It is also a wise, engaging and far-ranging exploration of gardens in literature, from Paradise Lost to Alice in Wonderland, and of writers and their gardens, from Virginia Woolf to Philip Larkin.

Our favorite moral philosopher is caught up in a delicate dispute between members of a prominent family as her husband, Jamie, is dragged into his own internecine rivalry. Isabel accepts an invitation to serve on the advisory committee of the Scottish National Portrait Gallery, but soon finds herself swept up in an all-too-familiar dilemma. David is the grandson of a Scottish clan chief and is supportive of Scottish nationalism. But his fervent beliefs are threatening family harmony, especially because his sister Catriona's socialist views put her at odds with her brother. When their mother, Laura, a fellow committee member, asks Isabel to intervene, she tries to demur. But always one for courteous resolutions to philosophical disagreements, Isabel can't help but intercede. In the meantime, Jamie, having criticized Isabel for getting involved in the affairs of others, does precisely that himself. Jamie is helping to select a new cellist for his ensemble, but he suspects that the conductor may be focused on something other than his favoured candidate's cello skills. With so many factors complicating matters, Isabel and Jamie will have to muster all their tact and charm to ensure that comity is reached between all these fractious parties.